Last Monday morning at 0620 you would have found me waiting for the 0640 train to London Waterloo to attend another Light and Land Photography workshop. I had had a moment of indecision in the station car park as to whether I needed my thermal bobble hat. I decided to take it, and believe me if I hadn’t I would have been purchasing yet more emergency head gear*. It was so cold, bitterly, biting to the bone, fingertips numb, cold all day long.Read More
I was armed with my trusty Fuji X100F, and the Delightful Mr F was shooting on his Fujica STX1n, pushing the heck out of an ISO 3200 Ilford film.Read More
Over the last couple of weeks I have been giving one to one photography mentoring to a young lady, who is 10 years old, we'll call her C. She loves to shoot on her iPhone, anything and everything. Her pets, her friends and family, the things she sees around her.Read More
Imagine, if you will, that time before the UK heat wave hit, a time when it rained. Yes, water fell from the sky, and there was no requirement to carry factor 50 sun block with you. That was a period when I was working silly hours, long days, and weekends too. There was no time for personal photography and I was sad, dear readers, yes, I was sad. One Sunday afternoon when I had said “pah!” to work and was lounging around the place, I saw an advert for a Light and Land London workshop on my news feed. “That”, I thought to myself, “is the tonic I need”, and so booked a slot pronto.
Light and Land is celebrating its 25thanniversary, founded by Charlie Waite and Sue Bishop, it has a pedigree all of its own.
Last Saturday, with the weather app on my phone telling me that it could hit 31C in London, I braved the trains* and tube and made my way to meet the group. There I met our tutor, Paul Sanders,** and the rest of the group. We also had bonus tutors, Neil Wake, and Shanice, of Fuji UK, who had kindly lugged half of the Fujifilm equipment stores into London for us to play with. I got to use the XT2, which I may well have fallen for.
Anyway, enough gear talk, Paul set us off photographing the marvellous staircase in the hotel. This made me very happy indeed; you know how I love a staircase.
After that we headed for the Tate Modern, taking photos as we went. We then headed along the South Bank of the Thames over the Millennium Bridge towards St Pauls, shutter buttons happily clicking away. Lunch was upon us and we stopped for a break and some photographic natter. Fully refreshed, we headed for the city, where we were able to shoot the amazing architecture.
It was a really great day, Paul, Shanice and Nathan were brilliant, always ready to help. It wasn't rushed either, it was a healthy wander around, camera in hand seeing what we could see. I hate being marched from one location to the next and told to "be creative" on the spot. Check out Light and Land for similar courses, and Paul and Nathan on Instagram below:
@wiggys (Paul Sanders)
@nathan_xp1 (Nathan Wake)
*South Western Railways was on strike again, oh, the joy!
** So, this is slightly embarrassing, but I spent the first half of the day thinking, “Blimey, this Paul bloke sounds so familiar, can’t place him though”. It wasn’t until we made it to the Bank of England I realised he is one half of the marvellous Togcast, of which I am an avid listener.
Over the last 20 years I have attended photography courses and workshops. In the early days of my photographic journey, it was to learn the basics and practise. More recently it has been about meeting other photographers and seeing how they go about their craft. There is nothing like chatting to other photographers to get new perspectives, and make some photographically minded friends.Read More